Li Hongbo is not only interested in conventional sculpture. He is also interested in the spatial expansion of a certain volume, the mutation of a strict form as well as creating voids. The admirable part of his story is that the medium he prefers to use in order to transform these artistic concerns into something tangible is nothing more than plain white paper. It all started when Li Hongbo bought a “honeycomb” paper gourds, widely known as a decorative element in Chinese culture. Inspired by the way stored flat layers of paper could reveal various and quite complex forms, he tried to apply that very same technique to sculpting in a bigger scale. The way he managed to store visual information in a simple stuck of sheets resulted to flexible statues prone to any kind of movement. Li Hongbo’s work is included in numerous collections and galleries such as the White Rabbit, with his latest exhibition taking place just a few weeks back at the Schoeni Art Gallery as part of the LATITUDE/ATTITUDE Exhibition.