Displayed at Maria Stenfors in London from the 19th of April to the 1st of June is a succession of paintings by artist Martin Gustavsson in still-shot form aptly called, ‘Indentations.’ Honing in on a sole subject, a male of idyllic build in a state of pure, fluid movement, the paintings are viewed through a fixed aspect. Inspired by a particular neoclassical sculpture that can be found in the Gothenburg Museum of Art, Gustavsson’s works reveal his ability to reiterate imagery by adding objects, colors, and textures to interrupt the continuity of the moment being captured. Much like a moment in reality is ever-changing and progressing, the effects in these paintings mirror that movement. The diversion of indentations provide the essence of tangibility and an understanding of its realness, making its mark in time and then persisting onwards. Gustavsson also gives you something else other than a visual interpretation when viewing his work; he lends an intense human kinesthesia. With exquisite detail, you can almost hear the subject breathing, moving fluidly, adapting to its surroundings.. all while you are getting lost in the glimpse of each fleeting moment.